Wednesday, 7 June 2017

...and that's when I realised I had left the salami behind.


You're here.... 

Queen's Birthday...the official date for recognizing the Coronation of Elizabeth 2nd....is a Long Weekend and therefore a perfect day to get family together over lunch in the middle of winter: Here's how my attempt went.

Monday 5th June

7-30am. Sleet-like conditions outside so no dog-walk. 

9am Congratulate myself on simple lunch idea of Pizza in various toppings served to eat with a kitchen towel al camera (on your feet inside).

Shopping for this had already been done two days earlier (Sat) and all I had to do was tidy, prepare and compose myself.

Mr Tin Shed Yarns was proper crook (not well) with a lung infection so had taken himself off to his Art Studio instead. We stayed in touch by phone.

Mud from outside was being strictly kept at bay so dog paws and tummy were being washed in the laundry. Shaking was only allowed under a towel and ALL paw marks were wiped up.

Sounding slightly control-freakish? oh yes.

Dog and partner stayed very quiet.

11am go to kitchen to get out flat metal pizza-cooking tray. Find it has rusted and I have rust stains over one half of 4yr old (new in my world) kitchen shelves. Rust stain is fiercely removed in 20 mins and tray is thrown out. With the kitchen newly resplendent in bleach I prepare all the pizza-toppings.


Anchovies, sun-dried tomatoes, mushrooms and pitted olives.
I feel fine, totally in control. This lunch will be great. Family will be driving an hour to see me....and they will enjoy this relaxed affair. 

11-30am Sit down for 30 mins to knit.

12 noon Check messages " Won't be there till 2-ish, sorry"

Actually that's fine. Gives me an hour extra for knitting. 

Go to get pizza bases out of the freezer. No pizza bases.
A chill wind goes up my back. Brain says " But I got them on Sat"

PANIC
BREATHE
"You forgot them at the supermarket".

Without time to argue with myself on the subtleties of The Consumer Guarantees Act about the rights of the mad woman who leaves a bag of shopping behind and therefore is entitled to a replacement, I go to the car....maybe it is there in the back. Nope.

And then I knew I had to go back to the supermarket because I had thrown the receipt away under a smelly dog-bone and anchovy lids and it was two days ago already.


Aware she has been a right twit, she took a long calming look at her clean, tidy living room
before getting into the car and driving back to the supermarket.

12-30pm Try to act like a woman who has laughingly forgotten one small item instead of the actual basis of the entire meal. Fortunately said supermarket is only 5 mins away.

12-50pm More cool than cucumber I arrive back with pizza bases AND am armed with  bottle of prosecco for later.

1pm Continue being Kitchen Queen. Everything ready.

This visit includes my 2 yr old grandson so tidy is more appropriate than clean (apart from previously mentioned kitchen shelves). The bathroom is checked and toilet is disinfected. I'm ready.

Sit and knit and breathe.

2pm Go to get Deli meat packets out from fridge for pizza. Left them until last due to food safety.


lots and lots of swearing

Brain now remembers and mentions something about the check-out girls who helped you on Saturday morning with your bags. You put four in the trolley, there must have been five.

Your part of the brain shouts back.."..I know..."

(and there are other words too....)

...and the deli meats were in with the pizza-bases....

With the prospect of a meatless pizza lunch ahead for her guests, she congratulates herself on making available "Healthy Options" for her family.


There are times when you can turn on a sixpence and make a new story...and so the Meatless Pizza was born. No-one batted an eyelid, and everyone smiled.

Meatless Pizza

And all relaxed. The grandson was really only interested in the toy Parking Garage I found at the local Recycling Centre...

Cool Car Garage at Nana's house

They ate and talked until the sun began to go down (5pm) and then left with a tired boy.

I cleaned up, opened the Prosecco and talked to Mr Tin Shed Yarns and NEVER SAID A WORD about leaving the salami behind.













Sunday, 28 May 2017

Knitting without a Pattern...a Technical Explanation

Technical photo of hood of Connor's Jersey.
This is a technical blog so apologies from the outset.

This is all about making a jersey without following a pattern.

In your mind you know the shape of the person for whom the jersey is intended. If it is a toddler, you add more width and length because if you keep feeding them, they grow.

If you are working from the bottom up, you are starting at the hips. If you are working top-down, you are starting at the neck. This jersey with a hood for Connor was started from the hips.

Jersey with body worked and overlap of opening packet in garter-stitch. Sleeves not yet cut open.
So, working in the round, I knew that the arm-hole depth and the front opening were going to be in the same round. The depth of the arm-holes is a third of the whole jersey. The remaining two-thirds are the body to the hips. At that crucial point where the arm-holes and the front opening are formed, I also added (by looped cast-on) 6 extra stitches at the base of the arm-hole. This is the seam-allowance for the steek.

Sleeve stitches are picked up in a straight line from shoulder seam to arm-hole pit.
The shoulders are formed by binding-off while stitching two stitches together from the matched seams together. Working from the shoulder to the neck, the last cast-off stitch at the end is placed on the needle at the neck and with the front stitches become the neck-line. Leave the steek allowance stitches out of the shoulder seam. These are being held by stitch-markers in the above photo -3 in each stitch-marker.

Just before you form the shoulder seams,pick up the stitches to form the sleeves. 

Use a circular needle smaller than the one you knitted the body with. Pick up the outer loop of the "V" shape in the knit stitch and pick up at a rate of 2 out of every 3 stitches for 8ply.

Arm-hole stitches picked up right down to pit of the arm-hole. Extra cast-on stitches for steek allowance are easily seen here.
With the 6 stitches held in 2 stitch-markers (3 in each one), you can imagine a centre line down the middle of this "U" shape.Cut the knitted work from the cast-on edge where the extra steek stitches were added right up to the shoulder. You will have already shuffled stitches around to create the neck-line, capturing the last cast-off stitch from the shoulder seam. Leave the steek allowance stitches to lie flat against your sleeve opening. They can be sewn down later with extra wool through the stitch loops when the sleeve is finished.

Personally, am still not sure about what to do with steek allowances as they can add bulk where you don't need. I usually trim with scissors and hand-sew the raw edges with sewing thread.

 Hood made by continuing from the neck up and increasing along a vertical mid-point in the back of the hood. 

Make hood working increases evenly along a central point in the back of the hood. Hood should be at least the same length as arm-hole from pit to shoulder.

Join top of hood together the same way as the shoulders using a two-needle bind-off. The garter stitch will not make a neat join this way. You can perform a Kitchener stitch join if you wish. Again, you will have a last cast-off stitch from the bind-off to deal with so sew it neatly with spare wool into the seam and bury the end of the wool.

Sleeve started showing decreases.
Work the sleeves as socks using DPNs. Do the maths and work out the rate at which you are reducing stitches to achieve a cuff. Generally it is 2 stitches every four rounds. Use balanced decreases which lean into the central decrease line (k2tog-kpsso).

The only photo I have of the finished garment.

Work the cuffs the same depth as the ribbing at the start. As a rule, the sleeves are the same length from the arm-hole pit to the end of the jersey, in other words, two thirds of the jersey body. 

I worked two button-holes into the garter-stitch edge; these I reinforced with sewing thread.

The jersey was made with re-cycled wool from a previous outlandish experiment. The wool was hand-spun and dyed by me. I was never happy with the unevenness of the dye but it was too good not to be used again.

A two year old is warm and parents are grateful.


Fiona MacBride

Tin Shed Yarns.

Ps.....my sketches on the Three Thirds Rule For Jerseys is here....





Friday, 12 May 2017

It's true...you don't need chemicals but you DO need boiled water.



These skeins are new...like ducklings.

They are soft, squishy, white and they smell of new wool.

I adore new wool.

It makes me feel inspired to create fabulous projects and cosy knitted things for little people...it just does my soul SO much good.

It's wool I made, with real fleece from real sheep.

I made it using a hand-comb.....


Hand-Comb and Fleece



....combing out staples and spinning from the outer end....


Combed staples ready for spinning 

...into singles, which I plied and then wound into a skein...


Unwashed skein of plied singles 

...and then soaked overnight in a bucket with a cup full of wool wash and three kettles of boiling water...

Wash buckets 

.....then rinse in more boiled water...and hang to dry.

Washed skeins hanging to dry 

No forced drying.

No wet-spinning.

No additives.

No fillers.

No solvents.

Completely natural.

Local hand-raised sheep.

No breaking down of the wool structure.

....and ready to knit or weave with.



...and available here.......Tin Shed Yarns on Etsy




Take care

Fiona MacBride

Tin Shed Yarns


Sunday, 23 April 2017

When a Man tells you how to "improve" your work.

The Shed at Tin Shed Yarns (yes...it's a Tin Shed)
I'm assuming that most of you already sense the tone of this piece just from the title.

I have over the last ten years removed myself from the constant criticism and competitiveness of the business and technocrat world and now live a far quieter life in a rural town north-west of Auckland. I was used to being told how I could and should adjust to the realities of the open market. Of course I resisted.

For the most part that world has since faded away but every year at Tax Time, I have to deal with The Trustee and his Financial Company who sign everything off. It's a legacy of the Marriage Settlement and it is a reminder of That World from Before.
I have it down to a fine art now, only dealing with the CA assigned to me and bless, they keep assigning me the same lovely chatty woman who is scarily efficient and yet sensible. I actually trust her.


Bobbin on workshop bench 
So every year I send everything in pertaining to what I have earned. This year was the year where I wondered about sending my PayPal Account details in.

See, the thing is, Love Knitting pays into PayPal, but I haven't been with them long enough to make any sales...

...and that is all I can honestly say.

I did make a couple of hundred dollars (NZ) last winter with chunky 8ply sales but that was one good month.

Those cash sales are all detailed in my "ledger" and will go to Elaine (my accountant). She will cough politely and ring me to ask a few more questions. Her job is not to criticise, but it will be her Boss' job, and I am awaiting being once more told by a man how to improve my sales or more likely in this case, a sneering -why bother?


Plied skein with details 
I bother because -Spinning hand-raised wool is a good thing.
                          -Spinning keeps me calm and is cheaper than professional therapy.
                          -Spinning raw-fleece is good for my hands.
                          -Designing patterns from my wool keeps my brain buzzing.
                          -Designing is a maths exercise and stems Dementia.
                          -Designing from a natural product is good for the soul.
                          -Fleeces are readily available here and are often wasted.
                          -Fleeces from odd sheep often produce the most exquisite yarn.
                          -Fleeces smell so gorgeous.

.....and I could go on and on about ecology, the environment, water use, fleece management, climate, sheep health,loss of knowledge about wool,......


Yup...that's my Hand-Comb 
I am a big girl now and I am learning to let the criticism roll off me; they are not my people.

I also am determined to stay my course onto consistent high quality spun wool. No lowering of quality to meet a less appreciative market, and no rushing to meet deadlines. I'll work like a Man, take breaks, value my output and my quality and occasionally brag about it too.

Smug Technocrats will advise me to have the fleeces milled off-shore and put my label on them saying they were Designed in NZ. Baffled Technocrats will suggest using a Trade-Aid village where women and children can do the work...do not get me started.


Washed skein 
I recently put a statement out on my FB page stating that I do not readily offer a fleece-spinning service but if I did I would charge $500 (NZ) per fleece. It's a flat rate that should make people think twice about the value they put on work.

An average fleece (non-skirted) will weigh between 5-6 kg. If I end up with just over 5 kg of usable fleece, I waste 20% in combings (they go on my compost) so 4kg ends up as skeins. That's $125 per kg ready for knitting. That's not too bad for ethically raised, hand-combed, hand-spun, mill-equivalent consistency that has not been harshly scoured or stripped or chemically altered.


Fabulous wool in its finished state. 

So, on with the battle. 

I'll fill that basket above with more skeins and put them up on Etsy and Love Knitting and thoroughly enjoy my work.

Love to all,

Fiona MacBride

Tin Shed Yarns









Saturday, 25 March 2017

It's live now on Ravelry and Etsy...and in Breaking News, on Love Knitting

...and we're there.

A huge sigh of relief and thanks.

The pattern is now available here

 https://www.loveknitting.com/catalog/product/view/id/178231

 https://www.etsy.com/nz/shop/TinShedYarns?ele=shop_open 

and here http://www.ravelry.com/patterns/library/connemara-stole.

Thanks to my lovely model Sue, in whose home this shot was taken.

Thanks to Corinna Wylie who gave me the fleece to spin from her friendly sheep Mike 

pictured under the peach tree in her garden.





More pictures of the Stole....






...and yes that is the back yard of Tin Shed Yarns....

....more pictures?





Sue has the right colouring for this garment...and we caught her after a long day at work yet she still looked great.

Project Notes:

-Uses 360gm of 8oly hand-spun natural wool.
-Gauge was 22 sts over 20 rows.
-Measurements 1.76m x 43cm.
-Needles 3mm straights.
-Blocking....use a frame if you can get one.
-Wool was spun in the grease and plied to about a 12 twists per inch. It was washed and      shrunk AFTER spinning.
-Fleece came from a hand-raised happy sheep.
-No solvents, no stripping chemicals, no dyes and no fillers.

Slainte

Fiona MacBride

Tin Shed Yarns


Sunday, 12 March 2017

Notice of a Derailment.......and the projects That Didn't Make It.

Named "Night Sky Over Kaipara" this shawl was all about the yarn and not the technique.


Don't you despise those oh-so-smug designers who rattle off knitting perfection about once a month?....

This is a piece about trying too hard to be like someone I am clearly not.

It is also about working for my values and not feeding my self-doubt...which I have in truckloads by the way.

This all started about a month ago after I finished a Stole in hand-spun wool from a local fleece. I felt so damned proud of myself that even the lovely people who grew the wool were invited in to see the finished product. There began a discussion which I should have left at the workshop door, but no, my ego allowed in to the studio and the house.

There was generous talk of marketing though I already knew the answer "No-one will pay you what this item is worth"...and the lovely couple did agree because they know that their fleeces are not work anything at the wool buyers.

Working title is "Connemara Stole"
Now, I ought to explain that this "Connemara Stole" was itself the pragmatic down-sized version of an Epic Project which was started back in December....

Project sample...a curved edge.
With this project I was going to storm the National Wool Crafters competition here in NZ, I was going to be victorious, I could sell my work, I would be able to get teaching gigs, etc, etc...(snort). 

Yeah...right!

The Epic Project became The Stole. End of Story. I never entered it in the National Wool Crafting Competition. I just made it properly and finished it properly.

There was some background noise here...family stuff...and it derailed me a little.

See, I get derailed when unsettled.

I have absolutely no idea how designers keep up the pace of new work -maybe they don't have family to worry about , maybe that's all it is...

Maybe they put all their feelings in a little box and leave it on the shelf...I don't know how to work creatively and NOT be shunted a bit by stuff. I never learnt that habit.

The little Shawl at the top of this piece in blue?...the one with the lyrical name, well I think the name alone killed it. It was a confection of matching hues of Rowan Kid-Silk haze and Malabrigo Merino/Silk. The angora/silk stretched beautifully over the bias while the merino/silk edging ended up too tight....DON'T ASK, IT WAS ALL A LONG TIME AGO.

After the majesty of the Stole (now cautiously named The Connemara Stole) I felt amazing and ready to up-grade my on-line presence ready for sales etc. This was what my ego deserved.

Well....I am still hovering and bothering on this because I am so scared.

Yup....

Scared.

So I went and spun a nice fleece instead.

Hand-spun black lambswool and sock-needles.
I did so enjoy that. I relaxed into it working right from the fleece-

...and ended up with a sportweight/8ply.

I KNOW..I KNOW. 8ply strong lambswool does NOT make for cosy soft socks. You would think I would know huh? Lambswool is designed to be waterproof, windproof, fluid-proof, almost bullet-proof...hence its wiriness.

Ripping out that sock was quite therapeutic and purging actually.

This all happened only last week, I might add.

The need to have a straightforward project in my hands was getting to my soul...one that I had created, with wool I had created, that wouldn't be so epic that my family could be cherished and that could end up as a not-so-scary pattern. Perhaps I am limiting my world a little...narrowing my focus...perhaps.

Halo Wool Cowl.
Then I got the news that the lady who grew the fleece that made the Stole had been involved in a serious car crash.

There is nothing like a crisis to focus the mind once again on what is manageable, possible and achievable.

So I went back to my basics; hand-spun wool. This from 10yrs ago when my head was turned by the notion of happy sheep. This fleece was a gift. It was platinum white when washed, with a halo effect and I dyed 300gm of it with a Periwinkle Jacquard...it wasn't a scientific dye project, but I loved it.

The Wave pattern is an old favourite of mine too...an early entry into lace-knitting for me, so it has fond memories.

It is knitting up beautifully and has saved me from the unfathomable rabbit-hole of Big Ideas.

These Ideas will come back again -I know, along with others. Trialing them is good....making the decision not to pursue them at the present time has integrity, I feel.

I'm hedging....again!

Wave Pattern on the Halo Cowl.

As for that black lambs-wool?, oh it will go into a Slip-Over (see pattern down the side). That pattern deserves a long-sleeved version and this wool is perfect for it.

The Cowl will go to the lady in the car crash.

Thanks

Take care,

Fiona MacBride

Tin Shed Yarns














Thursday, 16 February 2017

Blocking a Shawl or Stole

Connemara Stole blocked on a frame.



By the time I get to finishing a lace-knit garment I desperately want to see the item opened up and blocked. That is when I get a true sense of the work.

I work very quickly and do not organise a filming of the whole process. I simply get the garment out of the rinse bucket and onto the frame or table-top and get stretching.

I do, however, lie in bed in the days before the blocking and think through how I am going to go about the process.

This garment demanded a firm finishing, square edges and straight sides, therefore a frame was mandatory.

Lighter yarns will survive blocking with T-pins (office supplies shops stock these).

Weather plays a part too; My stole was blocked during a muggy rain shower. 

Being Aries, everything has to work smoothly and easily and though I adore the traditional process of hand-knits, I do zoom around using modern tech and quick-fits (or life-hacks) to get the job done. In this blocking preparation I thought a lot about zip-ties.

I knew I had a stash of about 3000 bought for various DIY jobs, so the remaining 2897 had sat in the shed innocently until called upon this week.


Zip-ties along the edge of the frame.
They threaded easily through the outer two stitches of the garter stitch edge and neatly pulled the points out of the ends of the stole.

It was an experienced decision that made me set the frame at a 60cm x 1.6m oblong. Don't ask me to explain that one...only that I knew from previous work that this garment had a one-third stretch (meaning it would stretch at least a third longer and wider).

The zip-ties held the stole beautifully and you can see in the colour changes of the plastic zip-ties that I went around the frame dividing the spaces between zip-ties into twos as I pulled the wool out to the edge of the frame. 

The zip-ties didn't slip on the wet wool and could be slid around until I was happy with the placement and then locked into place. This would have been a laborious task with pins or lacing.

The video below adds more and tells you can take those zip-ties out and re-use them.

Yes....

I like this idea, hope you do too.

Take care,

Fiona MacBride

Tin Shed Yarns.